Product Code Database
Tom Eyen (August 14, 1940 – May 26, 1991) was an American playwright, lyricist, television writer and theatre director. He received a Tony Award for Best Book of a Musical for Dreamgirls in 1981.
Eyen is best known for works at opposite ends of the theatrical spectrum. Mainstream theatergoers became acquainted with him in 1981, when he partnered with composer Henry Krieger and director Michael Bennett to write the book and lyrics for the hit Broadway theatre musical Dreamgirls, about an African-American female singing trio, which was made into a 2006 film. Eyen's career started, however, with experimental theatre that he wrote and directed off-off Broadway in the 1960s. This led to his off-Broadway success with The Dirtiest Show in Town (1970), a musical revue with nudity, and Women Behind Bars (1975), a camp parody of women's prison exploitation films. Review: Women Behind Bars, The New York Times, 1984 Review: Women Behind Bars in San Francisco, TalkinBroadway.com Eyen died of AIDS-related complications in Palm Beach, Florida at the age of 50.
Eyen was prolific, writing, and usually directing, 35 plays at La MaMa alone during the 1960s and 1970s. His early off-off-Broadway plays, other than those noted above, included:
The title character in Why Hanna's Skirt Won't Stay Down has been described as representative of the crudeness, exuberance, decadence and profundity of the movement and the period. Why Hannah's Skirt Won't Stay Down, LaMaMa.org (2005)
According to The New York Times, "Eyen was called the Neil Simon of Off-Off-Broadway at one point when he had four plays running simultaneously." In 1973, Eyen co-wrote the book for and directed one of Broadway's most notorious flops, the Paul Jabara disco musical Rachael Lily Rosenbloom (And Don't You Ever Forget It), which closed after seven previews. The lead character, a flamboyant entertainer, was inspired by Midler, who was apparently offered and refused the role. Following this setback, Eyen began commuting to Los Angeles to write for television and films. In 1974, he became one of the first well-known writers to write a hardcore pornographic film. He contributed writing to the 1976/1977 satirical soap opera Mary Hartman, Mary Hartman, produced by Norman Lear. In 1978, Eyen earned an Emmy Award nomination for writing Midler's first television special, Ol' Red Hair is Back.
Eyen's campy and disturbing parody of 1950s women's prison exploitation films, Women Behind Bars, became a major Off-Broadway hit in 1975. Pat Ast first played the lead role of the sadistic matron in Drag queen, followed by Divine. The New York Times called it "an extraordinarily interesting work from one of America's most innovative and versatile playwrights." Eyen followed this success with The Neon Woman, another off-Broadway play starring Divine, in 1978. The New York Times wrote, "His plays are known for emotionally grotesque material combined with sharp satire." In 1980, Eyen directed a film version of The Dirtiest Show In Town for Showtime, making it the first made-for-cable television movie. The film featured John Wesley Shipp. Broadway on Showtime: The Dirtiest Show In Town, British Film Institute database
In 1976, he appeared in Rosa von Praunheim's documentary film about New York's SoHo theatre and arts scene in the 1970s, Underground and Emigrants. " Underground and Emigrants: Credits", Turner Classic Movies, accessed March 13, 2022
Produced on Broadway in 1981, Dreamgirls was the biggest commercial success of Eyen's career. It was nominated for thirteen Tony Awards, including two for Eyen: Best Book and Best Original Score. The show won six Tonys, including Best Book. It also earned Eyen a Drama Desk Award nomination for Outstanding Lyrics. The original cast album won Eyen a Grammy Award as lyricist, and one of the show's songs, "And I Am Telling You I'm Not Going", as sung by Holliday, became a #1 hit on the Billboard R&B chart. "Jennifer Holliday: Hot R&B/Hip-Hop Songs", Billboard. Retrieved August 17, 2025 In 1984, Eyen sought to duplicate his Dreamgirls success with Kicks: The Showgirl Musical, a collaboration with composer Alan Menken about the Rockettes during World War II. The show never made it past the workshop stage, though individual numbers from the show have been performed in concert.Ostrow, Stuart (2005). Present at the Creation, Leaping in the Dark, and Going Against the Grain, pp. 117–188
A film adaptation of Dreamgirls, written and directed by Bill Condon, was released in 2006 by DreamWorks and Paramount Pictures. Two of Eyen's songs from the soundtrack, "And I Am Telling You I'm Not Going", as sung by Jennifer Hudson, and "One Night Only", as sung by Beyoncé Knowles, became hits. To promote the film's release, DreamWorks and the licensee of the musical, Tams-Witmark, paid the licensing fees for all non-professional stage performances of Dreamgirls in 2006. As a result, more than fifty high schools, colleges, and community theaters staged productions of Dreamgirls that year.Olsen, Mark (Dec. 12, 2006). "One stage of film's marketing is on stage", Los Angeles Times. Retrieved on December 15, 2006.
1970 to 1980
In 1970, Eyen had his biggest commercial success to date with The Dirtiest Show in Town, a satirical response to, and example of, the period's plays depicting nudity and sexual situations. The Dirtiest Show in Town initially ran at the Astor Place Theatre for two seasons, with later runs both off-Broadway in New York and in London's West End. He also wrote the song "Ode to a Screw" with Peter Cornell for the 1971 Miloš Forman film Taking Off. Eyen's other shows in the early 1970s included:
Dreamgirls and later work
Eyen and Henry Krieger first worked together on the 1975 musical version of The Dirtiest Show in Town, called The Dirtiest Musical in Town.Tallmer, Jerry. "Oscar dreaming", TheVillager.com, Vol. 76, No. 38, February 14–20, 2007, archived July 15, 2018 Nell Carter's performance in that musical inspired Eyen and Krieger to craft a musical about a black singing trio, which they workshopped for Joe Papp with Carter, Sheryl Lee Ralph, and Loretta Devine. The project was shelved in 1978 when Carter took a role in a soap opera.Aufderheide, Jeremy. Dreamgirls: Your virtual coffee-table book of the musical. Accessed July 16, 2010. A year later, the project caught the interest of Broadway director-producer Michael Bennett, who asked Eyen to direct a workshop production of Big Dreams, as the musical was then named, featuring Ralph, Loretta Devine, and gospel singer Jennifer Holliday as Carter's replacement. However, Holliday left the project, unhappy that her character died at the conclusion of the first act. After several workshops and numerous rewrites, Bennett decided that the production needed Holliday, and the team rewrote act two to build up Holliday's character.Hill, Jeremy. "Pre-Broadway. Dreamgirls: Your Virtual Coffee Table Book of the Musical.
Death
Eyen died of complications from AIDS in 1991, at the age of fifty, in Palm Beach, Florida. A memorial service was held at the St. James Theatre in New York City on September 23, 1991. In 1993, Eyen posthumously received the Jerome Lawrence and Robert E. Lee Theatre Research Institute Award from Ohio State University, where his papers are archived. "Tom Eyen Collection", Ohio State University, accessed March 20, 2018
Sources
Further reading
External links
Categories: 1940 Births, 1991 Deaths, American Lyricists, Broadway Composers And Lyricists, American Gay Musicians, American Gay Writers, Gay Songwriters, Gay Dramatists And Playwrights, People From Cambridge, Ohio, American Theatre Directors, Tony Award Winners, Grammy Award Winners, Lgbtq Theatre Directors, Aids-related Deaths In Florida, 20th-century American Dramatists And Playwrights, American Lgbtq Songwriters, American Lgbtq Dramatists And Playwrights, American Male Songwriters, American Male Dramatists And Playwrights, American Musical Theatre Lyricists, Songwriters From Ohio, 20th-century American Male Writers, 20th-century American Lgbtq People, 20th-century American Songwriters, American Satirical Dramatists And Playwrights, American Musical Theatre Librettists, American People Of Syrian Descent, American Writers Of Syrian Descent
|
|
